6 Actualidad. LUNES/ 21 de marzo de 2016. En Araure. POR MOTIVO DE VIAJE Se vende CAMIONETA BLAZER Año 95, color verde y Aire acondicionado de 12.000 BTU. 1 nevera. Define setted. setted synonyms, setted pronunciation, setted translation, English dictionary definition of setted. n. Mythology Variant of Seth2. v. set, set·ting. Antes de que los humanos lo vaciáramos, el sur de la Florida era un pantano. Durante años se llevaron a cabo mejoras en la infraestructura para que pudiese lucir. Gmail is email that's intuitive, efficient, and useful. 15 GB of storage, less spam, and mobile access. Presencia en todo el país. La Organización Editorial Mexicana, a la que pertenecemos, agrupa 70 periódicos, 24 radiodifusoras, 1 canal de televisión y 43 sitios.

Biography - Liam Gillick. SELECTED REVIEWS1. Rose Jennings, Documents: Karsten Schubert Ltd, City Limits, February 7- 1. Michael Archer, Documents: Karsten Schubert Ltd, Artforum, March. Ian Jeffrey, Bond & Gillick, Art Monthly, March, 1.

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Clifford Myerson, Documents & Details, Art Monthly, April, 1. Liam Gillick, The Placebo Effect, Arts, May. Carolyn Christov- Bakargiev, Someone Everywhere, Flash Art, Summer. Tim Hilton, Composition with Old Hat, Guardian, August 1. Frontlines: No Man’s Time, Artscribe, September.

Clockwise from top left: El Capitolio, Museum of the Revolution, view of Malecón, lighthouse at El Morro, Havana Cathedral, Plaza Vieja and the Great Theatre of Havana. We would like to show you a description here but the site won’t allow us.

Jean Yves Jouannais, Villa Arson, Art Press 1. October. Giorgio Verzotti, No Man’s Time, Artforum, November. Michael Archer, Audio Arts Issues and Debates I, Audio Arts. Andrew Wilson, Technique Anglaise, The Art Newspaper, November. Eric Troncy, No Man’s Time, Flash Art International, December.

Meyer Raphael Rubinstein, Technique Anglaise, Arts, November. Michael Archer, Technique Anglaise, Artforum, December. Giacinto di Pietrantonio, Bond & Gillick, Gio’ Marconi, Flash Art Italia, Feb/March. Maureen Paley interviewed by David Brittain, Creative Camera, 3. Giacinto di Pietrantonio, Bond & Gillick, Gio’ Marconi, Flash Art, April. Henry Bond & Liam Gillick, Press Kitsch, Flash Art International 1.

July/Aug. Eric Troncy, London Calling, Flash Art International 1. July/Aug. Giorgio Verzotti, News From Nowhere, Artforum, July/Aug. Elizabeth Lebovici, L’art piege a l’anglaise, Liberation, July 7. Mark Thomson, Etats Specifique, Art Monthly, July/Aug. Robert Pinto, Molteplici Culture, Flash Art International, October. Francesco Bonami, Twelve British Artists, Flash Art International, November.

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Peter Schjeldhal, Twelve British Artists, Frieze, Nov/Dec, Issue 7. Amedeo Martegani, Liam Gillick, Flash Art Italia, January. David Lillington, ON, Time Out, Jan 1. Jutta Schenk- Sorge, Zwolf Junge Britische Künstler, Kunstforum 1. Interview with Liam Gillick, Flash Art International, January. Frederick Ted Castle, Occurances- NY, Art Monthly, February. Eric Troncy, Wall Drawings & Murals, Flash Art International, May.

Nicolas Bourriaud, Modelized Politics, Flash Art, Summer. David Lillington, True Brit, Time Out, July 2. Ray Mc. Kenzie, Views from the Edge, Scottish Photography Bulletin, October. Henry Bond and Liam Gillick, The List, July 2nd - 1. James Odling- Smee, Wonderful Life, Art Monthly, October.

Mat Collings, Art Break, Observer, October 1. Liam Gillick, A Guide to Video Conferencing Systems and the Role of the Building Worker in Relation to the Contemporary Art Exhibition (Backstage), Documents, No. October. 1. 99. 4 Benjamin Weil, Backstage, Flash Art International, Jan/Feb. Liam Gillick/Ken Lum, Global Art, Flash Art International, Jan/Feb. Radio Interview, Luzern, February.

Mark James, Freeze, BBC 1, Omnibus, February 2. Nathalie Bouley, Les Parcours d’illusions.., Le Bien Public, February 2. Roland Topor, Surface de Réparations, Art & Aktoer, February, No. Nicolas Bourriaud, Au Moment du Penalty, Globe, 9 - 1.

February. Nicolas Bourriaud, Surface de Réparations, Art Press, No. Eric Troncy, Suface de Réperations, Omnibus, June. Fritz Billeter, Schnörkel und Schleifchen, Tages- Anzeiger, February 2. Arte Guerrero, El Pais, March 1. Olga Spiegel, Fotographos de Londres.., La Vanguardia, March 1.

Christian Besson, Surface de Réperations, Flash Art International, May- June. Helena Papadopoulos, Don’t Look Now, Flash Art International, May- June.

Simon Grant, World Cup Football Karaoke, Art Monthly, September. Paradies Verloren, Die Presse, October 2.

Verdoppelt, durchleuchtet, Kleine Zeitung (Graz),October 1. Brigitte Borchhardt- Birnbaumer, Ein Neues Ausstellungsmodell, Wiener Zietung, October 1. Wolfgang Zinggl, Tee Trinken mit Künstlern, Flater, October 2.

Schipper & Krome, Neue Bildende Kunst, November. Mark Currah, Time Out, December. Franz Niegelhell, Sammeln und Speichern, PAKT, January. Michael Hauffen, Das Archiv, Kunstforum, January. Justin Hoffman, Das Archiv, Artis, February- March.

Zapp Magazine, Möbius Strip, Issue 4. Arno Gisinger, Das Archiv, Eikon, April. Watch Big Bad Online Hulu.

Liam Gillick, The Insitute of Cultural Anxiety, Blueprint. Project, (Jake & Dinos Chapman), Art & Text, May. Nicolas Bourriaud, Pour une ésthetique relationnelle, Documents, No. Sabine Maida, Sur un air de Darwin, Paris Quotidien, May 1. Philippe Parreno, Une exposition serait- elle un cinéma sans caméra?, Liberation, May 2. Liam Gillick, Kunstlerporträts, Neue Bildende Kunst, June- August. Liam Gillick, When Are You Leaving?, Art & Design, May.

Eric Troncy, Liam Gillick, Flash Art International, Summer. Sabine Krebber, Romantisch und Verwundbar, Stuttgarter Nachrichten, July 1.

Forget about the ball and get on with the game, (with Rirkrit Tiravanija), Parkett 4. Summer. Adrian Searle, Karaoke, Time Out, July 2.

Sarah Kent, Ideal Standard Summertime, Time Out, July 2. Philip Sanderson, Ideal Standard Summertime, Art Monthly, September, No. Erasmus is Late, La Repubblica, September 1. Christoph Blase, Ibuka!, Springer, Issue 4. Martin Maloney, Grunge Corp, Art Forum, November. Jeffrey Kastner, Brilliant?, Art Monthly, Dec/Jan 1.

Lynn Mc. Ritchie, Brilliant, Financial Times. Karmel, Liam Gillick, New York Times, December 8. Stuart Servetan, Liam Gillick, New York Press, Dec 6 - 1. Anne Doran, Part Three, Time Out, New York, Dec 1.

Matthew Collings, My Brilliant Repartee, Modern Painters, Winter. Peter Herbstreuth, Leipzig: Fotografie im Kunstverein Elsterpark, Kunst Bulletin, 1. Iain Gale/Georgina Starr, Where does British Art go from Here?, Independent, 2/1/9.

Neal Brown, Ideal Standard Summertime, Frieze 2. January/February. Adrian Dannat, Brilliant, Flash Art, January/February. Simon Ford, Myth Making, Art Monthly, March, 1. Michael Archer, No Politics Please We’re British, Art Monthly, March, 1.

John Tozer, Co- operators, Art Monthly, March, 1. Rainald Schumacher, Liam Gillick, Springer, 1/9.

Matthew Ritchie, Liam Gillick: Part Three, Performing Arts Journal. Georg Schöllhammer, Kuratiert von: , Springer, March. Brigitte Werneburg, Das Virus Heißt Political Correctness, Taz, 9/1. March. Barbara Steiner, If.. If.. If.. a lot of possibilities, Paletten, No. Philippe Parreno, Mc. Namara - A film by Liam Gillick, Paletten, No.

Andreas Spiegl, Traffic - CAPC, Art Press, No. April. Hans Knoll, Parallelwelten und frottierte Schilde, Der Standard, 1. April. Johanna Hofleitner, Augestellt in Wien, Die Presse, 1. Watch Wrong Turn 6: Last Resort Full Movie. April. Liam Gillick, Der Standard, 2 May. Lynne Mc. Ritchie, Brillliant, Art in America, May.

Simon Ford, Der Mythos vom Young British Artist, Texte zur Kunst, No. May. Martin Herbert, Liam Gillick, Time Out, May 1. Liam Gillick, The Corruption of Time (Looking Back at Future Art), Flash Art, May/June, No. Godfrey Worsdale, Liam Gilllick, Art Monthly, June, No. Juan Cruz, Some Drawings from London, Art Monthly, July/August, No. Lars Bang Larson, Traffic, Flash Art, Summer, No.

Barbara Steiner, Traffic, Springer, Band II, Heft 2. Verena Kuni, Der Umbau- Raum, Springer, Band II, Heft 2. Jennifer Higgie, Liam Gillick, Frieze, Issue 3.

Carl Freedman, Some Drawings From London, Frieze, Issue 3. Barbara Steiner, Film as a method of Thinking and Working, Paletten, No. Marie de Brugerolle, Renaissance du Magasin, Art Press, October, No.

Elizabeth Lebovici, Grand déballage d’art britanique, Liberation, 1. Oct. Jelka Sutej Adamic, Liam Gillick, Delo, 1. Oct. Angela Vettese, Giovani Inglesi Aspettano Godot, Il Sole, 1.

Oct. Michael Krome, Liam Gillick, Kunstzeitung, Kunstzeitung, No. Nov. La creme anglasise s’expose à Paris, Le Figaro, 2. Nov. Robert Fleck, Die Wahren Helden sind die Väter, Art, December.

Pierre Restany, New Orientations in Art, Domus. Peter de Jonge, The Rubell’s in Miami, Harper’s Bazaar, February. Jesse Kornbluth, Is South Beach Big Enough for Two Hotel Kings?, New York Times, 1. Feb. Die Zukunft als Künstlerisch- humanes Spielkonzept, Ludwigsburger Kreiszeitung, 2. Feb. Uberliefertes Aufbrechen, Neue Luzerner Zeitung, 1. April.“Enter - Audience, Artist, Institution” Ausgestellt, Luzern Heute, 1.